Days of Snoods & Bamboo Curtains
scenting everything
like, by god, my heart showing up in a tiki glass
Me in some red satin bustier, perfectly presentable
like he may shorten his tie and resort
to fisticuffs -kiss, kiss-
spilling scotch on my bared midriff
I sign my consent to his overtures—
knock 'em back, full of raw egg
Limbo unfolds the orange pocket square of its loins
His gold El Dorado takes a second bow
takes three days to call, but eventually does
Oh, wow, wow, he strangles me
with a Cuban stocking—
the gin rummy room full of gardenias
Mr. Hardboiled, blue with lust, letting me live
Above the Law
You hover like a severed hand—you
Dario Argento haired cutlet of "woo"
(Blood curtains down the staircase)
Not wax, but debt under the nails
An axe wings past, splits your velour
casing, never vermouth, my sweet
(spirits lace fast your hushed caul)
Little lacquer owls go "who?"
From the eaves of destruction
The Room Folded in Gelid Light
there was a wrought iron hole in my body
from my bed the retractor looked far away
I fingered the grillwork, the cool hard
lips of the thing someone said had teeth
might bite my finger, somebody said
don't touch now, germs, in any case
mea culpa, what was I doing trapped
in a storm drain in the first place
somebody said I must be patient now
patient as patio furniture
it was out of my hands
there were eggs stuck in my iron mouth
my head swayed, an airy addendum
the soft shells pulsed like shrapnel
they were lodged in my coal hole
somebody said say you are only a house
I am only a house, good, now breathe
I invented the Paleolithic circumstances beneath this
I chose this peaking bedroom over the barbershop
and this bed, high and flat like an operating table.
I left this note pinned to the sheet and it says
"the stooped man with the grey hat is your husband
and this deep-set child came from your stomach."
But how when her eyes are boring holes
of need clean through me do I not want her?
Every morning she proffers me flowers in bed.
But the note says "you do not have to answer her
questions or stares. Your husband has given up
his eyes to her and gropes mutely for his shears.
Her eyes are too big for each socket and can see
in the dark. She rubs her swollen egg belly against
the soiled soles of my feet and says what next?
Imploring and hungry she waits for me to remember.
Her mouth parts, she intends to ingest me whole.
I leave myself a note pinned to the sheet "You did this."
I did, I invented the ash jibs of this room I cannot leave.
Hot shallows the color infirmary walls
are swaddled nurses get lost on a straight line
of course, white babies
are men oily dings sur la plage
vultures steal puppies
which ward is too hot to let her hair down
call this prop parasol
which color of near blindness
in the jungle lining
are girl too sick or half in love with why
her swimcap discarded
which tooth in a jar of baby
apple rattles & mutters
which word like pistachio ice cream
on the blonde comb
argues gently in french
with a strand of saliva
Karyna McGlynn is the author of two chapbooks: Scorpionica (New Michigan
Press, 2007) and Alabama Steve (Destructible Heart Press, 2008). Her poems
appear in
Gulf Coast, Willow Springs,
Indiana Review,
Denver Quarterly, Notre
Dame Review, CutBank, Ninth
Letter and Fence. Winner of the
Hopwood Award for poetry, Karyna is a Zell Postgraduate Writing Fellow at
the University of Michigan
where she received her MFA. She lives in Ann Arbor with the multimedia artist
Adam Theriault.